Showing posts with label travel. Show all posts
Showing posts with label travel. Show all posts

Saturday, November 11, 2006

Of twists, turns, and Dramamine

In a new twist, "Rebels ask celebs to assist prisoner swap"

BOGOTA, COLOMBIA — Colombia's largest rebel group is calling on actor Denzel Washington and directors Oliver Stone and Michael Moore to help it reach a deal with the government on exchanging imprisoned guerrillas for rebel-held hostages, including three U.S. defense contractors.
Colombia will only be home to me for another 25 days. 25 days. Nothing, really. What a strange thing, this life. There's so much I'll miss of life here, but so much I miss from my life too. I'm almost ready to go home, but will I be ready to be home once I'm there? This train of thought is making me feel like Carrie...falls under the category of thoughts that may have profound implications for my own life, but aren't actually profound and probably should be handled internally. Blogs are ruining the world. People don't keep anything in anymore -- everything is public, shared, and less forceful because a dozen earlier memoirs said exactly the same thing. Restraint: an underappreciated emotional tool. Anyway. Back to me.

Colombia is both a really tough and incredibly easy place to dive into headfirst and grow to love, despite itself. Last night at Son Salome, an excellent salsoteca, a professorial type I was dancing with asked me how I felt about Colombia. I answered without hesitation that I loved it. What that means really I'm not sure, but the response surprised him. Why? Why in the world? he asked, dumbfounded. I don't know, I replied. It's the ánimo (a word I have a hard time translating) -- I love Colombia despite its Colombianess.
ánimo
1 (talante) spirit
2 (estímulo, fuerza) courage
3 (intención) intention
So there you have it. Today we had a second salsa lesson with an instructor recommended by our friendly star-reader. Tom and Porter basically had a private lesson; Eli and I got one too. It's hard to lead! I have more sympathy for men when they try to learn to dance after today. As the female half of the dance team (which makes it sounds like sequins were involved, but there weren't thank god), you are responsible for "following." It sounds sexist, but in some ways it's a relief. I wouldn't characterize Slim and I this way, but in past relationships I've had to do way more of the leading than I would have liked. It's tiring! So dancing can be a good way to let go of that for a while, and just follow along. It's a bit like the difference between writing a story and reading one aloud. Both are challenging, but the reader can relax into their own private world to some extent and not worry about the next move.

Me being me, I have a half dozen unfinished projects calling me before I leave. Not least among them a final presentation (Fulbright really asks so little of us, it seems petty to complain, but that probably won't stop me from doing it), a paper, a website, a grant to seek, a proposal to translate, a computer to locate, and so so many nasty phone calls. Nasty not because of the people on the other end of the line but because I hate making phone calls! Another thing Colombia has challenged me, well, taunted me with: my many limitations are even more limiting in Spanish. Gives me a whole new appreciation for immigrants, especially those who struggle with our messed up, irregular language.

Spanish, in contrast, is nice and neat. And it still kicks my ass many days of the week. I'm actually pretty competent most of the time, then something will happen like I'll make a phone call, introduce myself, then listen with dismay as the person on the other end of the line exclaims, "I can't understand anything you're saying!" And I will merely have stated my name. Now that's a humbling experience when it happens once. Try to imagine it happening once a week. What can I say, R's are tough for me. Mom, Dad, there are so many perfectly nice names that stay far far away from Rs...why couldn't I have one of those? If I ever live in Latin America again I'm changing my name, to Ana, or Diana, anything two syllables or less and easily recognizable when it leaves my twisted tongue.

In two weeks we're headed back to Medellin. I realize I still haven't completed the saga that was our trip to Uraba, and the "community" -- right now I'm just hoping the bus ride to Medellin will involve lesser quanties of dramamine. Speaking of which, I sure do wish there were some kind of dramamine that could prevent the motion sickness that accompanies culture shock. Atlanta, Bogota, Atlanta, Bogota, Atlanta. It's been a year full of adjustments, and there's one big one left to make. You know what, though? I'm ready. I realized this year how much I need to be around my big, loud, stressful family.

What I'm listening to: Never needed anybody, I never needed anybody // I never needed anybody, I never needed nobody // Don't worry about it, honey // I never needed anybody // I never needed anybody, it won't change now.

And you know what? It's just not true.
But in 25 days, I'll be able to go back to pretending it is. And that I'm looking forward to. Big, independent me. Inside though, I'll know. I'm more connected to my people than I ever realized; before I stretched those links across a continent, and they held.

Wednesday, November 01, 2006

a thousand words to make up for zero photos

"Courage is not the abnormal. Not the marvelous act. Not Macbeth with fine speeches. It is the thing steady and clear. The marriage, not the month's rapture. The beauty that is of many days. The normal excellence, of long accomplishment. Not the Prodigal Son, but Penelope." -- poet Jack Gilbert

Last week this is the kind of courage we were to witness. And in the process, we had the kind of fun you love to complain about -- dirty, sweaty, backbreaking (from all the falling on our asses), dramatic fun. We hiked, incubated malarial jungle mosquitos, piled in a muddy heap on the floor, ate marvelous and simple food surrounded by donkey dung, and somehow just by being present helped accomplish something big.

We were in the mountains of Colombia to accompany a group of courageous people doing something that is extremely unusual in Colombia, land of the millions displaced: they were going back. Life in displacement camps had grow too harsh, too hungry for them, and they were going back to their land. We, the international wimps, were there to observe and hopefully prevent violent repression against the community, Colombian armed groups being reluctant to bite the long American arm feeding the ravenous military mouth.

But our presence was fleeting, and although FOR remains in the base community of La Union to help protect the decision to wage peace, in the Colombian conflict there are no guarantees and little precendence. This week the real work begins for the community of La Esperanza.

They are five families, striking in their quiet resolve, the kind usually portrayed in cowboy movies by men in hats of few words but always a piece of sugar in pocket for their horse. But this is different; this is no game of cowboys and indians, although it sometimes resembles one in its senselessness. The people of La Esperanza have been coming and going in fear of paramilitary reprisals since they were first displaced in 1996. Prevented from farming the land they had always known to be theirs, they have been aching to return ever since, and on this third try appear to have succeeded. Land in Colombia, where the exodus to the cities is a recent, bloody history, is not just land. It is power, money, sustenance, myth, and battleground.

Articles about peace communities, La Union, and La Esperanza


Yesterday Tom gave a talk about his thesis ("Good Fences, Good Neighbors, and the State: The Politics of Property Rights and Economic Performance"), so I'm fresh off a crash course in agrarian reform and land struggles in Colombia. More on this topic later, as I learn more about the history behind The Return. For now, on to my tale of two comfort-loving adventurers, arriving sleep-deprived in a city too hot for dreams.

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Chapter 1: Sleepless in Antioquia

We had quite a trip, leaving Friday the 20th on the overnight bus to Medellin. We emerged, ten hours later, frost bitten from the overactive AC and greatly enriched by our viewing experience. "The China Dolls" is a timeless classic, with a little something for everyone: kung fu fighting, a nihilistic attempt at feminism, Asian fetishism, stunning landscapes running with blood, some light kiddie porn, fights to the death, and a classic love story (boy meets girl, girl tries to kill boy, boy escapes and pursues girl to lock her up, boy carries girl's mother on his back to the hospital after her jealous mother-figure boss tries to have her killed, boy gets girl only to lose her to the allure of the sequel). Pretty generic stuff.

And after the final credits rolled (I took notes)...the music started up again. I took off for the front of the bus, on a collision course with destiny, or the control-happy bus driver, whichever I could find first. Luckily someone else beat me to him, and the rest of the bus ride was spent in frosty silence. Not because anyone was angry, just that we could see the breath steaming out of our mouths. We landed safely in Medellin, and after a nice taxi driver caught my mistake at the bus terminal and prevented us from going an hour out of our way to the wrong airport, caught our plane to Apartado. Met up with PorTom at the airport, and Trish&Co met us getting off the plane. All of whom were a sight for sore, bloodshot eyes...

to be continued...